Channel Selector Configuration

Description/Objective

In this example, there are 16 cameras, each with their own microphone, and an adjacent observation room with 2 OWISP speakers. The customer is also requesting the ability to choose one mic at a time through their overhead speakers, which means we will also build a Canvas User Interface (this will be covered in another section). Before building in Canvas, it is crucial to create the Tesira configuration properly.

Physical Wiring/Line Diagram

Below is the physical wiring diagram, which includes 2 Tesira Forte, a Remote Expander EX/IO, and an Extreme X440 AVB Switch.

Tesira Software

Additional Blocks

1. If we've completed our physical connections, open the Tesira software and start building a configuration.
2. In this configuration we'll be using the following blocks:
   • TesiraFORTE CI block
   • Peak Meter x 3
   • Matrix Mixer with at least 1 input and 1 output, with one extra output
   • Uber Filter with as many as 6 filters
   • Compressor with "ganged mode" and "advanced curve"
   • Level block
3. Connect the blocks as follows:
   • The Tesira Input block will already be connected to the AEC block, so connect the first peak meter to the Input block also. This will help us to be sure we have the proper levels set on the preamp. More on that in a minute.
   • Connect the AEC block to the Uber Filter, then the Filter to the Level Block.
   • Connect the Level Block to the Compressor and the second Peak Meter.
   • Connect the Compressor to the Matrix Mixer.
   • Connect output 1 from the mixer to port 1 on the Tesira Output block AND to the third peak meter. This way we can make sure to reach the right audio levels before we send it to the camera.
   • Connect the extra output from the Matrix Mixer to the AEC reference. We will not need to activate the Automatic Echo Cancellation feature in this example. However, Tesira will not allow us to delete the AEC reference block. It also will not compile the configuration if any blocks are not connected (including the AEC reference block.) So use the extra output from the mixer as a "dummy output" channel. Do not send any audio to this channel.

When we're complete, our file should look something like this:

Processing Blocks in Tesira

This section will provide further thought process behind each processing block, and how to adjust settings.

1. Input Preamp: We will not use STM-1’s to power the mics – the Forte will provide phantom power. Enable it here for each mic. The gain control on the input block is our preamp. I find for MX202’s the preamp will usually end up being between 42-48 dB. A preamp is what allows us to boost the audio signal without added noise, so this setting is important. Our goal is for the level of normal speech to show up at or around 0 dB on the peak meter.
2. First Peak Meter: This will help us set our input gain to the proper level. As a default though, it will give us an instantaneous reading, which is much too fast to be helpful to us. Select a time between 250-500 milliseconds and enable the Hold button. When we are testing our input gain, we should aim to be peaking around 0dB, “kissing” the yellow. Loud noises such as a door slamming should peak way in the yellow, but not clip the input (not surpass the red section of the meter.)
3. AEC Block: This block does all the processing for noise reduction in the Forte. If we were going to use AEC in our solution, we would activate the AEC button here. This block also includes general noise reduction capabilities (the Noise Reduction setting). I find that Medium is usually the best option for a room mic.
4. Matrix mixer: This is how we decide where to send the audio signal of the mic(s). On the left the mixer shows the inputs, and on the top it displays the outputs. In this example, since we have one mic and sending it to one camera, we simply enable the matrix box corresponding to input 1 and output 1.
5. Second Peak Meter: Press Enable Hold again on the peak meter at the end of our chain. Since we did not use any processing in this example, the levels of the peak meters should match. When we have more complex solutions, this will help us verify our levels and verify that we have configured the mixer properly.
   • Something to note about the Tesira audio is this: There is an 18 dB difference between the Tesira output block and the Axis camera. We will likely need to raise the output level of the Tesira between 12-18 dB to achieve optimal levels in the Axis camera(s).

EQ and Compression

For information on EQ settings, or click the image below:

For Compression parameters, click the image below: